Men at forty
Learn to close softly
The doors to rooms they will not be
Coming back to.
At rest on a stair landing,
They feel it moving
Beneath them now like the deck of a ship,
Though the swell is gentle.
And deep in mirrors
They rediscover
The face of the boy as he practices tying
His father's tie there in secret,
And the face of that father,
Stll warm with the mystery of lather.
They are more fathers than sons themselves now,
Something is filling them, something
That is like the twilight sound
Of the crickets, immense,
Filling the woods at the foot of the slope
Behind their mortgaged houses.
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by Donald Justice, 1997
Monday, June 25, 2012
Monday, June 18, 2012
The Reader
She is going back, these days, to the great stories
That charmed her younger mind. A shaded light
Shines on the nape half-shadowed by her curls,
And a page turns now with a scuffed sound.
Onward they come again, the orphans reaching
For a first handhold in a stony world,
The young provincials who at last look down
On the city's maze, and will descend into it,
The serious girl, once more, who will live nobly,
The sly one who aspires to marry so,
The young man bent on glory, and that other
Who seeks a burden. Knowing as she does
What will become of them in the bloody field
Or Tuscan garden, it may be that at times
She sees their first and final selves at once,
As a god might to whom all time is now.
Or, having lived so much herself, perhaps
She meets them this time with a wiser eye,
Noting that Julien's calculating head
Is from the first too severed from his heart.
But the true wonder of it is that she,
For all that she may know of consequences,
Still turns enchanted to the next bright page
Like some Natasha in the ballroom door -
Caught in the flow of things wherever bound,
The blind delight of being, ready still
To enter life on life and see them through.
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by Richard Wilbur, 2004
That charmed her younger mind. A shaded light
Shines on the nape half-shadowed by her curls,
And a page turns now with a scuffed sound.
Onward they come again, the orphans reaching
For a first handhold in a stony world,
The young provincials who at last look down
On the city's maze, and will descend into it,
The serious girl, once more, who will live nobly,
The sly one who aspires to marry so,
The young man bent on glory, and that other
Who seeks a burden. Knowing as she does
What will become of them in the bloody field
Or Tuscan garden, it may be that at times
She sees their first and final selves at once,
As a god might to whom all time is now.
Or, having lived so much herself, perhaps
She meets them this time with a wiser eye,
Noting that Julien's calculating head
Is from the first too severed from his heart.
But the true wonder of it is that she,
For all that she may know of consequences,
Still turns enchanted to the next bright page
Like some Natasha in the ballroom door -
Caught in the flow of things wherever bound,
The blind delight of being, ready still
To enter life on life and see them through.
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by Richard Wilbur, 2004
Monday, June 11, 2012
Ascending
The grapes just forming are green beads
as tight on the stalk as if hammered into place,
the swelling unripe juveniles are almost
burgundy, promising yet withholding
and the ones they have come for, the highest
blue-black clusters wearing a dusting of white,
veiled dancers, tantalize in the wind.
Wrens weaving in and out, small bugs, pale sun.
Two bony old people in the back forty,
one holding the ladder, the other ascending.
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by Maxine Kumin, 2007
as tight on the stalk as if hammered into place,
the swelling unripe juveniles are almost
burgundy, promising yet withholding
and the ones they have come for, the highest
blue-black clusters wearing a dusting of white,
veiled dancers, tantalize in the wind.
Wrens weaving in and out, small bugs, pale sun.
Two bony old people in the back forty,
one holding the ladder, the other ascending.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Monday, June 4, 2012
What's in My Journal
Odd things, like a button drawer. Mean
things, fishhooks, barbs in your hand.
But marbles too. A genius for being agreeable.
Junkyard crucifixes, voluptuous
discards. Space for knickknacks, and for
Alaska. Evidence to hang me, or to beatify.
Clues that lead nowhere, that never connected
anyway. Deliberate obfuscation, the kind
that takes genius. Chasms in character.
Loud omissions. Mornings that yawn above
a new grave. Pages you know exist
but you can't find them. Someone's terribly
inevitable life story, maybe mine.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
by William Stafford, 1998
things, fishhooks, barbs in your hand.
But marbles too. A genius for being agreeable.
Junkyard crucifixes, voluptuous
discards. Space for knickknacks, and for
Alaska. Evidence to hang me, or to beatify.
Clues that lead nowhere, that never connected
anyway. Deliberate obfuscation, the kind
that takes genius. Chasms in character.
Loud omissions. Mornings that yawn above
a new grave. Pages you know exist
but you can't find them. Someone's terribly
inevitable life story, maybe mine.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
by William Stafford, 1998
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