that I was still learning to turn,
Jane in a blue jumper, Dick with his crayon-brown hair,
playing with a ball or exploring the cosmos
of the backyard, unaware they are the first characters,
the boy and girl who begin fiction.
Beyond the simple illustration of their neighborhood
the other protagonists were waiting in a huddle:
frightening Heathcliff, frightened Pip, Nick Adams
carrying a fishing rod, Emma Bovary riding into Rouen.
But I would read about the perfect boy and his sister
even before I would read about Adam and Eve, garden
and gate,
and before I heard the name Gutenberg, the type
of their simple talk was moving into my focusing eyes.
It was always Saturday and he and she
were always pointing at something and shouting "Look!"
pointing at the dog, the bicycle, or their father
as he pushed a hand mower over the lawn,
waving at aproned Mother framed in the kitchen doorway,
pointing toward the sky, pointing at each other.
They wanted us to look but we had looked already
and seen the shaded lawn, the wagon, the postman.
We had seen the dog, walked, watered, and fed the animal
and now it was time to discover the infinite, clicking
permutations of the alphabet's small and capital letters.
Alphabetical ourselves in rows of classroom desks,
we were forgetting how to look, learning how to read.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
by Billy Collins, 1989
