First Reader

I can see them standing politely on the wide pages
that I was still learning to turn,
Jane in a blue jumper, Dick with his crayon-brown hair,
playing with a ball or exploring the cosmos
of the backyard, unaware they are the first characters,
the boy and girl who begin fiction.

Beyond the simple illustration of their neighborhood
the other protagonists were waiting in a huddle:
frightening Heathcliff, frightened Pip, Nick Adams
carrying a fishing rod, Emma Bovary riding into Rouen.

But I would read about the perfect boy and his sister
even before I would read about Adam and Eve, garden
     and gate,
and before I heard the name Gutenberg, the type
of their simple talk was moving into my focusing eyes.

It was always Saturday and he and she
were always pointing at something and shouting "Look!"
pointing at the dog, the bicycle, or their father
as he pushed a hand mower over the lawn,
waving at aproned Mother framed in the kitchen doorway,
pointing toward the sky, pointing at each other.

They wanted us to look but we had looked already
and seen the shaded lawn, the wagon, the postman.
We had seen the dog, walked, watered, and fed the animal
and now it was time to discover the infinite, clicking
permutations of the alphabet's small and capital letters.
Alphabetical ourselves in rows of classroom desks,
we were forgetting how to look, learning how to read.

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by Billy Collins, 1989

Days

Each one is a gift, no doubt,
mysteriously placed in your waking hand
or set upon your forehead
moments before you open your eyes.

Today begins cold and bright,
the ground heavy with snow
and the thick masonry of ice,
the sun glinting off the turrets of clouds.

Through the calm eye of the window
everything is in its place
but so precariously
this day might be resting somehow

on the one before it,
all the days of the past stacked high
like the impossible tower of dishes
entertainers used to build on stage.

No wonder you find yourself
perched on top of a ladder
hoping to add one more.
Just another Wednesday,

you whisper,
then holding your breath,
place this cup on yesterday's saucer
without the slightest clink.

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by Billy Collins, 1995

Bar Time

In keeping with the universal saloon practice,
the clock here is set fifteen minutes ahead
of all the clocks in the outside world.

This makes us a rather advanced group,
doing our drinking in the unknown future,
immune from the cares of the present,
safely harbored a quarter of an hour
beyond the woes of the contemporary scene.

No wonder such thoughtless pleasure derives
from tending the small fire of a cigarette,
from observing this glass of whiskey and ice,
the cold rust I am sipping,

or from having an eye on the street outside
when Ordinary Time slouches past in a topcoat,
rain running off the brim of his hat,
the late edition like a flag in his pocket.

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by Billy Collins

Morning

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,

then night with his notorious perfumes,
his many-pointed stars?

This is the best -
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso -

maybe a splash of water on the face,
a palmful of vitamins -
but mostly buzzing around the house on espresso,

dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,

and, if necessary, the windows -
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.

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by Billy Collins, 2002