covers the fruit trees, mingling improbably
with the new blossoms like identical twins
brought up in different hemispheres.
It is not what Housman meant
when he wrote of the cherry
hung with snow, though he also knew
how death can mistake the seasons,
and if he made it all sound pretty,
that was our misreading
in those high school classrooms
where, drunk on boredom, we had to recite
his poems. Now the weather is always looming
in the background, trying to become more
than merely scenery, and though today
it is telling us something
we don't want to hear, it is all
so unpredictable, so out of control
that we might as well be children again,
hearing the voices of thunder
like baritone uncles shouting
in the next room as we try to sleep,
or hearing the silence of snow falling
soft as a coverlet, even in springtime
whispering: relax, there is nothing
you can possibly do about any of this.
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by Linda Pastan, 1998
